What is a rehearsed reading? **
"A rehearsed reading is as it sounds but they can vary considerably according to the project; some of them are to garner interest from producers or those who may be able to help with development funding and/or staging. These generally involve a bit more rehearsal and I've performed them in places including the Oval House, Blue Elephant and Trafalgar Studios; some have involved enough staging that it was more of a performance than a reading, whilst others have been more static - it depends on the director. Some readings are to focus on the state and/or development of the script; for example I've done readings that are rehearsed for just 2hours and are written by work students as part of their course. Some are done as a promotional tool to raise awareness of a forthcoming production. No matter what the purpose they are always done script in hand and you are never expected to learn the lines."
As a specialist in rehearsed readings I often meet writers keen to see their work “on its feet”. Having seen the final rehearsal of the “Heir of The Dog” plays, I really can appreciate the reason.
My initial reading of the three plays highlighted particular individual features:
- The language used
- An unexpected biblical theme
- A series of apparently random witticisms
The Actors
- StephenCheriton (Demetrius in New Rep Company’s A Midsummer Night’s Dream)
- Emilia Petryszyn (Lady Teazle in N1 Theatre Company’s The School for Scandal)
- Denholm Spurr (John Keats in Pale Fire Theatre Company’s Romantics)
- Louisa Tee (Anna in Opera Upclose’s Don Giovanni)
... and clever pacing
The Director
Directed by HughAllison.
– there is so very much more packed into less than an hour.
Definitely not to be missed!
** Heir of The Dog (An evening of three performances on the theme of God) is NOT a 'rehearsed reading' but is a full - and envigorating - performance! I am the MC.
7.30pm on Tues 20th, Wed 21st and Thurs 22nd
November 2012.
At The Dogstar, 389 Coldharbour Lane , London , SW9 8LQ .
(Nearest tube: Brixton).
blog post by Richard Ward
No comments:
Post a Comment